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One of the best years for kids' music in recent memory includes releases from artists with feet firmly in both kid-friendly and adult-oriented worlds. Old favorites went in new directions, while emerging artists gave a glimpse of the future of a genre as diverse and unpredictable as kids themselves.

Last spring on its MySpace page, the Brooklyn experimental rock band Parts & Labor asked fans to send sound samples to put on the group's new album. Parts & Labor used every single one, often blurring the line between instruments and samples.

Singer Emmylou Harris says a 33-year-old housewife named Kitty Wells turned both country music and the country on its head with "It Wasn't God Who Made Honky Tonk Angels." With that song, Wells captured the tensions of the time and paved the way for more female musicians.

McCartney and Youth returned to work as The Fireman for their third and latest release together, Electric Arguments. McCartney entered the studio, without any material, and recorded 13 songs in 13 days. The legendary artist reveals how his alter ego allows him the freedom to experiment.

When it's inducted on Saturday, RUN DMC will not be the first rap group to make it into the Rock and Roll Hall of Fame — that was Grandmaster Flash and the Furious Five. But RUN DMC did achieve a number of historic firsts during its heyday in the 1980s.

With an exotic fiddle, a viola, a classical guitar and a drum kit, the quartet called QQQ creates something like Appalachian folk music — albeit filtered through Brooklyn experimentalism and rural Norwegian flavor. The band plays a special session in Studio 4A.

Thanks to a new recording by former Grateful Dead drummer Mickey Hart, anyone can hear a sound that was cloistered in Himalayan monasteries for centuries.

Millions have discovered the now-familiar landmarks of California's Yosemite Valley through the extraordinary black-and-white photographs of Ansel Adams. Now, jazz legend Dave Brubeck aims to bring musical emotion to the experience of viewing Adams' work with a new piece.

Two Austin musical institutions — Willie Nelson and Asleep at the Wheel — have teamed up on a new album to showcase classic western swing. With horns, fiddles and a pedal steel guitar, the music takes Nelson back to his roots. The project has been in the works for a while, having hatched from the mind of the great Jerry Wexler more than 30 years ago.

In the mid-1960s, an electrician converted his basement into a jerry-built, custom studio he dubbed Double U Sound. Between 1967 and 1981, Felton Williams recorded more than 300 reels of tape. Downriver Revival is the first in a series of compilations focusing on the recordings of these local studios.