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Oliver Wang.

Oliver Wang

Oliver Wang is an culture writer, scholar, and DJ based in Los Angeles. He's the author of Legions of Boom: Filipino American Mobile DJ Crews of the San Francisco Bay Area and a professor of sociology at CSU-Long Beach. He's the creator of the audioblog soul-sides.com and co-host of the album appreciation podcast, Heat Rocks.

  • Maya is the third full-length album by M.I.A., and it rattles with hard-edged and well-produced beats and electronica. Reviewer Oliver Wang says that even if it's not her best work, the record still offers reminders of why M.I.A. is one of the most compelling and unusual artists in pop today.
  • Throughout his career, Guru was a unique figure: a veteran who thrived when others faltered and an innovator who never followed a style he didn't help invent. His group, Gang Starr, led a vanguard of other artists who bridged jazz and hip-hop. The rapper died Monday at 47.
  • Times have not been kind to the hip-hop industry. Philadelphia rapper Freeway and Seattle producer Jake One have come up with a novel response, especially in the era of digital music. Their new collaboration, The Stimulus Package, comes with some of the most elaborate packaging ever designed for a hip-hop album.
  • Two new collections, ranging from scratchy field recordings to intricate vocal harmonies to snappy adaptations of rock 'n' roll rhythms, prove divine inspiration takes on many forms.
  • The Blueprint 3 is the latest release by rapper Jay-Z; it's the second sequel to one of his best-known releases, 2001's The Blueprint. It's also Jay-Z's 11th solo album in 13 years, making him one of hip-hop's most prolific artists. Reviewer Oliver Wang suggests that, even this far into his career, the rapper is still finding ways to stay on top.
  • In a curious case of musical evolution, the older Lee Fields becomes, the closer he gets to perfecting the sound of soul that he grew up with. His latest release, My World, finds an ideal middle ground between the slow grind of Southern blues and the faster, funkier stylings of retro-soul.
  • In the mid-1960s, an electrician converted his basement into a jerry-built, custom studio he dubbed Double U Sound. Between 1967 and 1981, Felton Williams recorded more than 300 reels of tape. Downriver Revival is the first in a series of compilations focusing on the recordings of these local studios.
  • The Chicago rapper's new album, 808s and Heartbreak features him singing instead of rapping, but he's filtered his vocals through the voice processing system known as Auto-Tune, an increasingly popular trend among pop artists. The result is a melancholy, intimate and decidedly quirky effort.
  • As leader of the 1990s hip-hop group A Tribe Called Quest, Q-Tip rose to fame on the strength of their jazz-influenced production and his smooth, unruffled rapping. After problems plagued his solo career, Q-Tip disappeared from the music scene. He has now resurfaced with an entirely new CD, The Renaissance.
  • Inspired by The Jackson 5, the '70s and late '60s saw a panoply of very young R&B bands emerge across the country. Though many groups released but one single before fading into obscurity, a new compilation CD documents the best of "kiddie soul."