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For nearly 60 years, Doris Lessing has been writing some of the most daring and important fiction in English. In her new novel, she takes a long look back over her shoulder to try to fathom the origins of human life.

British documentary is disturbing, unnerving and wire-to-wire involving — the story of a dream that got so wildly out of hand that it ensnared the dreamer in an intricate trap of his own creation.

In 1861, Elizabeth Packard was forcibly removed from her home and committed to an insane asylum because she disagreed with her Calvinist husband's religious beliefs. Playwright Emily Mann tells her story in the Kennedy Center's presentation of Mrs. Packard.

Gerard Alessandrini is the creator of Forbidden Broadway, a show that spoofs hit Broadway shows. Alessandrini sees every show that opens, to mine its comic potential out of and create parodies. He offers his predictions for Sunday night's Tony Awards.

19th-century Harvard students needed botanical models. They turned to a pair of glass artists who specialized in invertebrate zoology. The results, on display at the Corning Museum of Glass this summer, are so lifelike that they've inspired poets and novelists.

Near the town of Alliance, Neb., stands an installation called Carhenge. The artwork replicates Stonehenge in England, but in the form of 38 vintage American cars, half buried in the ground. Carhenge draws about 30,000 tourists a month during the summer, and it turns 20 this weekend.

Hollywood puts the planet in peril again with Fantastic Four: Rise of The Silver Surfer. The comics were hip enough to last for more than 40 years, but the movie treatment is far from must-see cinema.

Ryan Cochran-Siegle's Vermont family has sent six athletes to the Winter Olympics. His mom, Barbara Cochran, won gold in Sapporo, Japan, as an alpine ski racer in 1972.

Easygoing dialogue, a relaxed message: Wave-riding penguin mockumentary Surf's Up is PG-gentle, sweet, and laid-back like no kid flick you'll remember.

In his new novel, Falling Man, Don DeLillo, one of the most admired American writers, squarely faces the awful events of Sept. 11, 2001, with eyes wide open. DeLillo narrates the viewpoints of a number of people — including one of the hijackers — in prose both exquisite and exhausting.