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  • Edwards is one of the last men who knew the iconic bluesman Robert Johnson.
  • On the streets by age 16, Magness had experienced more sadness than most do in a lifetime. But after a memorable Otis Rush concert, and seven of her own albums, she's emerged on the other side of 50 as a powerful R&B singer.
  • Country music legend Willie Nelson and jazz trumpeter Wynton Marsalis discover common ground and a mutual love of jazz standards and the blues on their album Two Men With The Blues. Here, the artists discuss their first-ever collaboration.
  • The lawsuit is over whether local governments have the right to ban pot businesses otherwise permitted under state law. The ruling could strike down the framework for regulating and selling pot there.
  • A week after Lil Wayne's latest album was released, it had sold a million copies. Robert Christgau says the phenomenal success of Tha Carter III, especially in these dismal times for the music industry, is due to the risky marketing techniques Lil Wayne employed and the playful way he treats traditional gangsta rap themes.
  • The new album from the Philadelphia hip-hop band The Roots contains verses from the perspective of a child soldier in Sierra Leone, a campus shooter in America, and those in the grip of addictions. Rising Down may be the group's best album.
  • Twenty-five years after its first album, the New Jersey band is still selling out Madison Square Garden and putting out chart-topping singles. But these days, its sound is a little more country, and it's recording in Nashville. That may be because pop and rock songs have left behind the working-class, everyday guy, while country music sings straight to him.
  • Before pursuing a career in music, Lee was a Philadelphia schoolteacher. Then he started going to open-mic nights with a car stereo full of classic R&B records. He recently brought his folky, soulful style to NPR headquarters for a solo performance.
  • The opera star died 30 years ago. But you'd hardly know she was gone, judging from the steady stream of releases from her record company. It's a testament to the lasting appeal of a great artist.
  • The Emmys once were dominated by broadcast networks and then cable, with the rise of streaming services changing the balance of power and perhaps the awards themselves.
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