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In 1959, jazz pianist Dave Brubeck topped the pop charts and shook up the notion of rhythm in jazz with an odd-metered song called "Take Five." On the occasion of its golden anniversary and a new reissue of Time Out, Brubeck explains why it was such a hit.

For the past three decades, English singer-songwriter Elvis Costello has been traveling the world, performing music of every kind. Here, he sits down to discuss the sound and themes of his latest album, Secret, Profane & Sugarcane.

Sarah Jarosz, 18, emerged on the bluegrass scene as a prodigal mandolinist, banjo player and guitarist — and recently, a singer-songwriter. In between math classes, she's managed to cut her debut album, Song Up In Her Head.

Soy Sauce, from the Mexico City-based Mexican Institute of Sound, pushes eclecticism to a new level. It combines mariachi with hip-hop, rock and electronica. Tossed in are elements from political speeches and the barnyard.

A now-infamous 2008 trip to Avatar Studios brought Liane Hansen face to face with her vocal limitations. But she also met a young artist making her debut recordings. Now Sabrina Scott has released her EP, called A New View.

We asked Adam Levine and Jesse Carmichael of the band Maroon 5 to share a piece of music that they love, that inspires them and that they listen to again and again. Hear why they chose Prince's Purple Rain.

Asleep In The Bread Aisle is the latest release from rapper Asher Roth, who grew up white in the suburbs. Roth says he hopes his work — as well as the person he happens to be — will challenge the hip-hop community.

U.K. musician Natasha Khan, better known as Bat For Lashes, uses a fusion of keyboards and harps to generate tribal beats and electronica. She speaks on the uncommon sounds and ideas behind her acclaimed new album, Two Suns.

Critic Tom Manoff reviews a new recording of Rachmaninov's preludes by pianist Steven Osborne, who opts for innocence over opulence, giving each of the 24 preludes its own distinct and compelling character.

In a lawsuit, Twitter has asked the Delaware Court of Chancery to order the Tesla CEO to follow through with a $44 billion takeover bid for the social media company.