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A fall full of films with post-Sept. 11 themes kicks off with In the Valley of Elah. Director Paul Haggis takes on a subject rarely embraced by Hollywood: the pernicious effect war has on the young people we send to fight.

In Jodie Foster's latest movie, she plays a character who is transformed by her fiance's murder. Foster talks about exploring a character who is faced with murky ethical choices.

A few years ago, Alan Alda was up for an Oscar, had won another Emmy, had a happy marriage, kids and grandkids. Then one night, out of the blue, he heard a little voice asking: Are you living a life of meaning? In a new book, the former M*A*S*H star attempts to answer that question.

The Smithsonian Institution has named Kevin Gover the next director of the National Museum of the American Indian. Gover is a member of the Pawnee tribe and a former director of the Bureau of Indian Affairs during the Clinton administration.

Yale University agrees to return to Peru hundreds of artifacts from the Incan site of Machu Picchu. The objects have been at the center of a debate that has lasted almost a century, and culminated last year when the government of Peru threatened to sue Yale to get the artifacts back.

The King Tut exhibition has drawn millions. But some African-American scholars believe the exhibition makes King Tut look too white. The debate over King Tut's race led the Franklin Institute Science Museum in Philadelphia, where the show is currently on display, to sponsor a conference on the subject.

A tipping expert tells Morning Edition that the service workers you see regularly are indeed counting on that holiday tip, so don't forget to keep them in mind.

The Daily Beast editor joins Steve Inskeep to recommend some good recent reading. Her focus this month: heroism, as embodied by three public figures.

One of the giants of post-World War II Italian cinema, he went on to produce in Hollywood too. De Laurentiis was behind films such as Serpico, La Strada and Day of the Condor.

We pause to remember Leslie Nielsen, an actor who knew very well that his job wasn't to say funny things or say things in a funny way -- but who managed to be riotously funny anyway.