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  • Writer Suzan-Lori Parks has won acclaim for depictions of African-American life. The author of Topdog/Underdog discusses two of her favorite dramatic scenes, from The Sound of Music and Taxi Driver.
  • Architect and author Christopher Alexander recently issued the final book of his four-volume tome, The Nature of Order, In it, he attempts to define and understand the "life" and livability of structures, spaces and cities.
  • "Danza Voluminosa" is an unconventional dance group -- whose performances are part-ballet, part-contemporary dance. But the dancers are larger than most weighing in around 200 pounds. Their choreographer says the company is creating a new aesthetic. NPR's Lourdes Garcia-Navarro reports.
  • The latest work from the author of In the Company of Men premieres at New York's Lucille Lortel Theater. Neil LaBute's Fat Pig tells the story of a weight-challenged woman and a gutless executive who fall in love. Andrea Shea reports.
  • Los Angeles Times movie critic Kenneth Turan says the film Alexander, starring Colin Ferrell as the conqueror Alexander the Great, plays like a fantasy self portrait of writer-director Oliver Stone.
  • Actress Carol Channing is back on the road in The First 80 Years Are The Hardest. The octogenarian is touring in a one-woman show.
  • HBO has signed a lucrative deal with fellow cable channel A&E for sanitized versions of Sopranos reruns. The mob drama has drawn a record $2.5 million per episode in syndication.
  • As the chaos of Fashion Week in New York City winds down, writer Najwa Moses reviews the style extravaganza that left her impressed with the shows -- but underwhelmed by the clothes.
  • An enormous work of art opens Saturday in New York's Central Park. The Gates Project is the brainchild of artists Christo and Jeanne-Claude. The husband-and-wife team's work consists of 7,500 squared arches topped with orange flags.
  • Contemporary photographer and visual artist Annette Lemieux has her work in many of the major art museums, but she's not quite sure where she fits. Is she a political artist? After Sept. 11, she shunned that title -- only to find that she still had to reflect the world around her. Caitlin Shetterly reports.
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