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Filmmaker and actor Christopher Guest, best known for This Is Spinal Tap and Waiting for Guffman, picks TV and film comedies as well as violent and serious titles as well among his favorite DVDs to watch.

Queen Elizabeth II is recognized for her collection of hats. And her appearance at the Kentucky Derby will once again put her choice of headgear on public display.

As many as 20,000 people shed their clothes in the early morning hours in the center of Mexico City this week to pose for a giant naked photograph — all in the name of art.

Fanny Ardant is not a household name here in the United States, but in France she is a superstar. The 58-year-old actress appears in a new film Paris, Je T'aime, which is comprised of 18 vignettes about life in Paris.

Director Emanuele Crialese is a neorealist with a touch of magical realism to him; he takes his cues from the great art films of the '60s. His gorgeous new coming-to-America picture offers up a feast of imagery to match the almost boundless optimism of its characters.

Sam Raimi spent a fortune, and its stars strive for naturalism, but Spider-Man 3 proves dramatically less than the sum of its expensive, ill-unified parts.

Pittsfield, Maine, is an unlikely place for world-class ballet, but then Col. Michael Wyly is not the guy you would expect to start a ballet company. The retired Marine commanding officer wanted to make his young daughter's dreams come true, so he lured retired Russian ballet star Andrei Bossov to rural Maine.

The son of a former priest and a one-time nun, John Fugelsang says he wasn't sure if he should have been born. He's turned funny stories from his life into a one-man show, All the Wrong Reasons. It's at the New York Theater Workshop until May 6.

In a new film about love and Alzheimer's, the disease that claimed her mother, the Oscar-winning actress co-stars as a hard-edged woman who has "kind of given up on life" — until she meets a man caught in a crisis of his own.

At 141 minutes, Sam Raimi's latest supe-opera is seriously overextended, with four distinct subplots and way too much hand-wringing over things like the heroine's singing career.