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  • As the chaos of Fashion Week in New York City winds down, writer Najwa Moses reviews the style extravaganza that left her impressed with the shows -- but underwhelmed by the clothes.
  • An enormous work of art opens Saturday in New York's Central Park. The Gates Project is the brainchild of artists Christo and Jeanne-Claude. The husband-and-wife team's work consists of 7,500 squared arches topped with orange flags.
  • Contemporary photographer and visual artist Annette Lemieux has her work in many of the major art museums, but she's not quite sure where she fits. Is she a political artist? After Sept. 11, she shunned that title -- only to find that she still had to reflect the world around her. Caitlin Shetterly reports.
  • Alan Cheuse reviews the Girl Who Played Go, by Shan Sa, a novel following a two characters' intersection at the 3,000-year-old game of Go, played with black and white stones. The novel debuted last year and has just been published in paperback.
  • Acclaimed documentary filmmaker Ken Burns returns to PBS with Unforgivable Blackness: The Rise and Fall of Jack Johnson, a profile of the world's first African-American heavyweight boxing champ.
  • Los Angeles Time movie critic Kenneth Turan says the new movie Closer attempts to deal with the depth of human emotions involving love and relationships. Instead, you'll find empty people trying to fulfill their selfish desires.
  • NPR's Bob Mondello reviews the performances of two actors who are expected to garner Oscar nominations for their performances: Kevin Bacon and Sean Penn. Both actors give harrowing psychological portraits of outsiders — Bacon plays a former child molester in The Woodsman and Penn plays a down-and-out salesman in The Assassination of Richard Nixon.
  • Director Wes Anderson is known for offbeat, relatively low-budget films such as Bottle Rocket and Rushmore. His latest, The Life Aquatic with Steve Zissou starring Bill Murray, is a bigger film in the same vein. Reviewer Bob Mondello says the film may leave viewers feeling lost at sea, but that's not necessarily a bad thing.
  • Marika Partridge reviews the mandolin dance sounds of Sam Bartlett. His self-produced, instrumental CD Evil Diane features some of America's best unknown acoustic players, fiddlers and pipers. Indiana native Bartlett is a prolific writer, often composing his reels and jigs from the road on his mandolin.
  • A newly renovated Museum of Modern Art reopens in New York City this weekend with a new admission fee of $20, significantly higher than most museums across the country. Hear NPR's Robert Siegel, MoMA Chief Operating Officer James Gara and New Yorker staff writer Adam Gopnik.
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