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  • As presidential candidates deliver their messages across the nation, the author of "Born in the U.S.A." and "The Rising" is traveling the country delivering one of his own. The touring rocker talks about mixing music and politics.
  • "Most people know me as Mo Farah, but it's not my name — or, it's not the reality," Olympic gold medalist Mo Farah said, in a clip from an upcoming documentary.
  • R.E.M. isn't exactly religious, but spiritual themes do creep into its music. Singer Michael Stipe says he comes from a "place of faith," and that generations of men in the Stipe family have been Methodist ministers. Widely billed as R.E.M.'s best album in ages, Accelerate takes inspiration from religious issues.
  • The 1949 musical is getting its first Broadway remount, and its creative team says the story — about culture, life in wartime and the impact of American power abroad — resonates as profoundly as ever.
  • Half of the mostly defunct band The Moldy Peaches, Green has put out his fifth solo full-length CD. The album's genre-jumping and stream-of-consciousness lyrics make the title, a term for disarray, seem apt. But the songs are melodic and imaginative.
  • Einstein and Gandhi have been operatic subjects for Philip Glass. His list of great leaders expands with a brand-new opera Appomattox, a Civil War story featuring lead roles for Abraham Lincoln and Ulysses S. Grant.
  • As the frontman for pop-punk band Fall Out Boy, Pete Wentz glories in remaking the rules. He playfully subverts gender roles to undercut homophobia by wearing eyeliner, kissing his male bandmates on stage and wearing girls' jeans, yet somehow makes it all mainstream.
  • Like overeating at Thanksgiving, composers can overindulge on music. Commentator Miles Hoffman discusses the reaction some composers had to the "musical bloat" of the Bruckner and Mahler years. The result was a leaner musical waistline.
  • She had a voice of striking, unusual beauty — and looks to match — yet she spent much of her life misunderstood and under-recorded. Now, 15 years after her death, the elusive folk singer's music has never been more popular.
  • The veteran vocalist has a gift for putting the right words to a melody. She wrote some lyrics for her new CD, Distances, and she blends a poem by an Italian filmmaker with music by eccentric French composer Erik Satie.
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