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Eddie Argos, the 29-year-old leader of London band Art Brut, has made a career out of not growing up. On the group's latest album, Art Brut vs. Satan, that may be for the best, according to critic Robert Christgau.

The monks of Heiligenkreuz Abbey in Austria sing ancient Gregorian chants in their 12th-century church — and then post them to YouTube. Their technological savvy landed them a record deal, and now their album is storming the European charts and arriving in America. Father Karl Wallner talks to host Andrea Seabrook about balancing pop stardom with the religious life.

The judge's order halts enforcement temporarily while lawyers for a north Louisiana clinic and other supporters of abortion rights pursue a lawsuit challenging the legislation.

Before it took over Latin dance halls worldwide, bachata arose from Dominican shantytowns as a kind of lower-class party music. Now, a recent CD and a series of concerts are bringing the genre's early acoustic tradition back into the spotlight.

After decades of producing solo albums, renowned American folk musicians Grey Larsen and Cindy Kallet have released their first collaboration, Cross the Water. Here, they talk about their musical partnership and their influences in traditional Scandinavian and Balkan music.

On his new album, The Hard Way, the British singer and guitarist delves deep into old-fashioned soul and R&B, channeling the influence and spirit of Sam Cooke and Jackie Wilson.

The Hold Steady's Craig Finn and Tad Kubler were both over 30 when they made the recordings that finally brought success. But with 2006's Boys and Girls in America and the new Stay Positive, the band has found its place as one of the country's best straight-up rock groups. The band discusses the influences behind its new album.

NOMO has a tiny name, but the group makes a big impression when it drives into town. NOMO is eight musicians from Ann Arbor, Mich., with dozens of instruments and just one van. On Ghost Rock, the octet proves that its jazz- and funk-inspired instrumental music is much more than a Fela Kuti tribute.

One of the most quintessentially American composers of the 20th century was not an American. But as a boy in Argentina, Schifrin discovered George Gershwin and Louis Armstrong, setting him — and his celebrated film scores — on a path to fame.

Over the past 14 years, some of New York's hottest young jazz musicians have worked for peanuts, just to have the chance to play the Argentine composer's challenging mix of Latin rhythms, classical structures and singable melodies.