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  • In a Disney Store in Southern California, displays include playful child-size mannequins that encourage shoppers to interact with the merchandise.
  • Children are going to have to read fast to avoid finding out from others what happens in the long-awaited final book of the Harry Potter series. Young readers discuss strategies for keeping the ending secret.
  • An American Idol-style contest to choose the stars of Broadway's latest Grease revival wasn't exactly a ratings smash. But hefty advance ticket sales means that the NBC series may have been a success in a different way: as a marketing gimmick.
  • Despite some darkly inspired moments, the fifth of seven Harry Potter movies feels like — well, like the next to the next-to-last installment in a series that's taking its time.
  • For centuries, Venice maintained strong economic and social ties with the Islamic world. The city's art and architecture bear the mark of this vibrant exchange.
  • Artist Edward Hopper is best known for provocative, shadowy oil paintings of people in urban settings — diners, offices and bedrooms. But the work that put Hopper on the map is a watercolor of an elegant, light-drenched house in Gloucester, Mass.
  • For more than a century, artists have worked and lived in the studios above New York's Carnegie Hall. Now, Carnegie Hall wants the 50 tenants to move so it can renovate and expand the hall's education programs. But they aren't leaving without a fight.
  • Shakespeare's Hamlet is among his most well-known and oft-performed plays. Every director has his or her version of Hamlet - host Liane Hansen speaks with Michael Kahn, Artistic Director of the Shakespeare Theatre Company, and actor Jeffrey Carlson, who plays the title role, in this most recent adaptation of the Bard's work.
  • A new play that reworks one of literature's great myths has had its world premiere in Stratford-upon-Avon, England. The Penelopiad by Margaret Atwood is an adaptation of her book by the same name.
  • The Body Snatchers remake, starring Nicole Kidman and Daniel Craig, proves the pulp classic is still startlingly in tune with the U.S. zeitgeist.
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