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  • A museum touring Eastern Europe makes use of old love letters and gifts from relationships gone wrong. The Museum of Broken Relationships gives new life to the leftovers from break-ups, one-night stands and ugly divorces. Scott Simon talks to the museum founders.
  • This week the documentary Audience of One premiered at the South by Southwest Film Festival. Michael Jacobs' documentary follows Pentecostal Pastor Richard Gazowsky as he attempts to make an epic science-fiction film after he receives a message from God.
  • The TV Set is actually Jake Kasdan's latest movie project. It pokes fun at how networks create the fall TV lineup. Kasdan talks about the film and some of his past work ... including his short-lived career as a child actor.
  • These days an increasing number of nonprofit groups use auctions to fundraise money. In Seattle, that trend is fueling a growth in what has been a niche segment in auctioneering.
  • Madeleine Thien, the daughter of Malaysian-Chinese immigrants, lives in Quebec City, Canada. Her first novel, Certainty, has just been published in the United States. The book is ripe with juxtapositions.
  • Director Lasse Hallstrom's new movie, The Hoax, chronicles Clifford Irving's attempt to publish the "autobiography" of Howard Hughes.
  • Beijing Olympic officials said the COVID-19 situation within the closed-loop bubble of the Games is tightly managed now. They may add more spectators to venues as the competitions continue.
  • The Lookout, a thriller starring Joseph Gordon-Levitt, invests more than the usual amount of effort in developing characters. It marks the directing debut of Scott Frank, known for his writing work.
  • Ken Loach's film The Wind That Shakes the Barley examines the early days of the Irish Republican Army and the radical organization's impact on the Irish people. Some British papers have criticized Loach for making the movie.
  • The Lives of Others is set in communist East Berlin in the days before the fall of the Berlin Wall. It focuses on a police captain who is forced to put a wire tap on a famous playwright.
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