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  • The Matchbox Twenty frontman will release his second solo album, Cradlesong, at the end of June. It's a collection of songs that cover everything from life, love and loss all the way to death.
  • Critic Robert Christgau is impressed by the new album from the Malian vocalist, whom he calls Africa's most important female singer. Seya is her first release after a 12-year absence from recording, spent raising a son and running a hotel, farm and other businesses.
  • WGLT's My Playlist is a new recurring series where we get to know a Bloomington-Normal resident by learning what they would put on their life playlist.
  • Los Angeles-based singer Maia Sharp may be on her fourth album, Echo, but she's mostly made her living writing songs for other performers, including Cher, Dixie Chicks and Bonnie Raitt. After a few brushes with success, this time around, Sharp feels like she's ready to break through.
  • Everyone's favorite headbanger, whose songs include "Party Hard" and "Party 'Til You Puke," thinks the music of Johann Sebastian Bach stands among humankind's greatest accomplishments.
  • The songwriter and pianist, daughter of a globetrotting preacher, grew up with church music on Sundays and classical records in the household. Her debut album draws on all that — not to mention a teenage imaginary friend.
  • In 1959, jazz pianist Dave Brubeck topped the pop charts and shook up the notion of rhythm in jazz with an odd-metered song called "Take Five." On the occasion of its golden anniversary and a new reissue of Time Out, Brubeck explains why it was such a hit.
  • For the past three decades, English singer-songwriter Elvis Costello has been traveling the world, performing music of every kind. Here, he sits down to discuss the sound and themes of his latest album, Secret, Profane & Sugarcane.
  • Sarah Jarosz, 18, emerged on the bluegrass scene as a prodigal mandolinist, banjo player and guitarist — and recently, a singer-songwriter. In between math classes, she's managed to cut her debut album, Song Up In Her Head.
  • Soy Sauce, from the Mexico City-based Mexican Institute of Sound, pushes eclecticism to a new level. It combines mariachi with hip-hop, rock and electronica. Tossed in are elements from political speeches and the barnyard.
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