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  • The rock icon's early work was liberally infused with humor, but his new album is perhaps his darkest yet. He explains how he writes lyrics off the top of his head — and what that has to do with his jive-talking grandfather.
  • The Latin percussionist's classic 1972 album captures one of the greatest musicians of the 20th century at his peak. Bobby Sanabria, himself an award-winning bandleader, discusses the music and career of "El Rey del Timbal," Tito Puente.
  • Covering music from Marian Anderson to ZZ Top, 1,000 Recordings to Hear Before You Die: A Listener's Life List covers all genres in its more than 900 pages. It's driven by the notion that "the more you love music, the more music you love." Author Tom Moon submits his picks for the best summer recordings.
  • After releasing a 25-track double album titled A Love Extreme, the singer-songwriter has drawn comparisons to Beck and The Magnetic Fields' Stephin Merritt for his electronic- and folk-tinged pop and distinctive lyrical voice. Here, Hughes talks about his songs and the influence the South has on his music.
  • A 25-year-old singer-songwriter, Flynn makes music that seems to draw equally from William Shakespeare and Bob Dylan: He has the ear of a poet and the mind of a storyteller. Flynn has just made his American debut with A Larum.
  • William Berger, author of Puccini Without Excuses, sizes up two new and very different recordings of the composer's best-known opera. Berger says the beauty of Bohème lies in the little details of the characters' lives.
  • Though the Congolese music known as soukous was Africa's biggest pop-music style in the '70s and '80s, it only reached the U.S. in bits and pieces. But a new anthology by the musician known as Franco goes a long way toward completing the puzzle.
  • On the 400th anniversary of the birth of John Milton, fans around the world are celebrating with literary events, exhibits and readings of Milton's famous epic poem, Paradise Lost.
  • This past summer, you might have found it impossible to avoid the string-saturated "Viva La Vida" by Coldplay. Guitarist Joe Satriani thinks it sounds remarkably similar to his 2004 song "If I Could Fly" and has sued for copyright infringement.
  • One of the best years for kids' music in recent memory includes releases from artists with feet firmly in both kid-friendly and adult-oriented worlds. Old favorites went in new directions, while emerging artists gave a glimpse of the future of a genre as diverse and unpredictable as kids themselves.
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