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  • Los Angeles Times and Morning Edition film critic Kenneth Turan reviews Thank You For Smoking. It is a satirical film about a super-lobbyist for the tobacco industry.
  • After a long acting career, Felicity Huffman has received an Oscar nomination for her lead role in the film Transamerica. She also stars in the hit television show Desperate Housewives. Huffman talks with Michele Norris about femininity and motherhood.
  • Film critic Bob Mondello reviews the DVD release of three classic black films: Hallelujah, Green Pastures and Cabin in the Sky. He says they are interesting, both as history and as works of art.
  • A new film production of the Charles Dickens novel Bleak House will make its debut on PBS Sunday night. Gillian Anderson, of X-Files fame, plays Lady Honoria Dedlock. She tells Scott Simon about her role.
  • A Good Woman is based on Oscar Wilde's play Lady Windermere's Fan. But unlike Wilde's play, which is based in Victorian England, the film is set in Italy decades later. Critic Kenneth Turan is worried the story can't survive such a drastic change of scene.
  • Teller, the usually silent half of the magician duo Penn and Teller, reviews the book, The Glorious Deception, by Jim Steinmeyer. It's a biography of the magician known to audiences as Chung Ling Soo, who Teller says was a genuine enigma.
  • Nelson George, a prolific writer and critic of black America, has made a documentary based on his best-selling book Post-Soul Nation. The new film, Smart Black People, profiles African-American personalities who left their stamp on America in the 1980s.
  • In the new film Cronicas, a Miami reporter travels to a small Ecuadorian village to cover a series of brutal murders and get the biggest story of his career. He's tracking a possible serial killer dubbed the Monster of Babahoyo.
  • Lee Boyd Malvo's attorneys argue that his six life sentences should be reconsidered because of a U.S. Supreme Court ruling that barred mandatory life sentences for juveniles.
  • Film critic Kenneth Turan reviews what Swedish filmmaker Ingmar Bergman's calls his final movie, Saraband. The film features a divorced couple from one of his earlier works.
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