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Terry Gilliam's Tideland was panned by film critics and audiences alike when it was released in 2005. But he hopes the disturbing tale of a girl, whose parents are drug addicts, finds an audience on DVD.

Historic buildings in the Islamic world are often covered with breathtakingly intricate geometric designs. Both artists and mathematicians have long puzzled over them, wondering how the patterns were created. A new study suggests the artisans worked from templates that drew upon advanced math principles.

A curiosity museum in Baltimore has closed its doors and auctioned off its quirky holdings. The American Dime Museum was a throwback to an earlier age of entertainment, when displays of oddities like Amazonian mummies and two-headed ducks held audiences spellbound.

A new major exhibit at the Museum of Contemporary Art (MOCA) in Los Angeles called "WACK! Art and the Feminist Revolution" includes works from 117 artists from 21 countries. The show explores the years between 1965 and 1980.

In The Namesake, the film based on the best-selling novel by Jhumpa Lahiri, a family from India struggles with the immigrant experience and the meaning of identity. Director Mira Nair and actor Kal Penn discuss the film.

New movies are everywhere! A quick look at five of the latest, from Will Smith's Pursuit of Happyness to a live-action version of Charlotte's Web.

Clint Eastwood continues to astonish. His latest film, Letters from Iwo Jima parallels his recent Flags of Our Fathers, but it takes audiences to a place that would seem unimaginable for an American director.

Cat Stevens left the recording industry in 1978, after converting to Islam and changing his name to Yusuf Islam. Since then, he's occasionally found himself in the middle of controversies involving the Muslim world and the West. The former star has a new CD, An Other Cup.

Based loosely on the career of Diana Ross and the Supremes, Dreamgirls is alive with the sound of music. It's a love song two times over, a tribute to both a vibrant period of American popular music and the big-budget Hollywood musical.

Who knows what violence lurks in the hearts of men? Mel Gibson knows. And like he did in The Passion of the Christ, Gibson just can't resist putting every last ounce of it on screen in Apocalypto.