Search results for

Cat Stevens left the recording industry in 1978, after converting to Islam and changing his name to Yusuf Islam. Since then, he's occasionally found himself in the middle of controversies involving the Muslim world and the West. The former star has a new CD, An Other Cup.

Based loosely on the career of Diana Ross and the Supremes, Dreamgirls is alive with the sound of music. It's a love song two times over, a tribute to both a vibrant period of American popular music and the big-budget Hollywood musical.

Who knows what violence lurks in the hearts of men? Mel Gibson knows. And like he did in The Passion of the Christ, Gibson just can't resist putting every last ounce of it on screen in Apocalypto.

Stan Lee reflects on a lifetime of creating comics, including some imperfect superheroes. Spiderman, one of Lee's best known characters, was human first and super second. Lee tells Renee Montagne how he brought realism to a fantasy world.

Irish singer/songwriter Damien Rice won fans around the globe with his debut CD, simply titled O. In the four years since then, Rice has teased his adoring fans with a few small releases. But he has finally released a second studio album, 9.

Car buyers today continue to face fewer choices and much higher prices — and cheap vehicles are especially hard to find. It's not just that there are fewer cars; the ones being made are fancier, too.

In The Year of Magical Thinking, Joan Didion chronicled her grief following the sudden death of her husband and the illness of their daughter. Vanessa Redgrave will star in a one-woman play based on the book.

Thirty years ago this week, ABC's mini-series Roots was broadcast. The finale was among the most-watched programs in TV history. Roots star LeVar Burton reflects on the impact of the series in a conversation with Rebecca Roberts.

Films from Mexico have been finding viewers in the United States and around the world. This year, directors of three films with Oscar buzz are Mexican: Children of Men, Pan's Labrynth and Babel.

The advertising for The Nativity Story has gotten this film's essence exactly wrong. This is not a chance to "experience the most timeless of stories as you've never seen it before." It's just the opposite. It's an opportunity, for those who want it, to encounter this story exactly the way its almost always been told.